In 1916, Dream is captured and encased in a glass globe in a failed attempt by a fictional Edwardian magician (very much in the vein of Aleister Crowley) named Roderick Burgess to bind Death and attain immortality. Dream bides his time for decades until Burgess dies. Afterwards, his son Alexander becomes Dream's new captor. Finally, in 1988, Alex's guards grow careless and the guards watching him fall asleep in his presence, allowing Dream to use the sand from their dream to his benefit. When the guards awake and break the seal Dream was in, he is then able to escape. Dream punishes Alex by cursing him to experience an unending series of nightmares. The rest of the story concerns Dream's quest to recover his totems of power, which were dispersed following his capture: a pouch of sand, a helm and a ruby. The pouch is being kept by a former girlfriend of John Constantine's. Once that is recovered, Dream travels to hell to regain the helm from a demon, where he incurs the wrath of Lucifer (an enmity that will have major repercussions later in the series). The ruby is in the possession of John Dee, a.k.a. Doctor Destiny, a supervillain from the Justice League of America series. He has warped and corrupted the ruby, rendering Dream unable to use it, and with it he nearly tears apart the Dreaming. However, thinking that it will kill Dream, Dee shatters the ruby, inadvertently releasing the power that Dream had stored in the ruby and restoring Dream to his full power. The collection ends with "The Sound of Her Wings", an epilogue to the first story-arc. This issue introduces a character who has become one of the series' most popular and prominent personalities: Dream's older sister Death. She is depicted as an attractive, down-to-earth young goth girl, very unlike the traditional personification of death, and spends the issue talking Dream out of his brief post-quest depression.
While the first story arc of the Sandman series is fairly straightforward quest fare, you can see why the series gained the success it did. Gaiman is, of course, a fanastic writer, and the mythos he creates, here, is truly intriguing. But it is the final issue in the collection, The Sound of Her Wings, where the series truly takes off. The entire plotline is sweet and subdued, infused with a depth of emotion lacking in the previous tales. And Gaiman’s vision of the anthropomorphic personification of Death is brilliant, quirky and original,kand serves as a pitch-perfect contrast to the reserved Morpheus.
An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them—for a price.
Until something goes wrong. . . .
In Jurassic Park, Michael Crichton taps all his mesmerizing talent and scientific brilliance to create his most electrifying technothriller.
As a general rule I tend to enjoy Crichton’s writing style (the man had a real flair for action and pacing, which is probably why his work has been so successful), but in this case I couldn’t help but be turned off by his decision to use Ian Malcolm as a mouthpiece for continuously waxing philosophical about the evils of modern science and technology. Of course, one could argue Mary Shelley did the same back in the day, but the difference is she pulled it off with style and panache, while Crichton comes across as heavy-handed and bloviating… not to mention just plain wrong most of the time.
Now, one could argue that perhaps I’m tainted by the fact that in his later years Crichton became a vocal anti-AGW (human-caused global warming) advocate, and ended up providing large quantities of vacuous, incorrect ammunition for those looking to reinforce their own anti-AGW beliefs. But despite this, I thoroughly enjoyed both The Andromeda Strain and Sphere, and in neither of those cases did I feel I was being preached to. Not so with Jurassic Park.
So while Jurassic Park was, I think, successful as an action/sci-fi book, those successes were more than offset by Crichton’s total lack of subtlety.
New York Times bestselling author Douglas Adams and zoologist Mark Carwardine take off around the world in search of exotic, endangered creatures.
Join them as they encounter the animal kingdom in its stunning beauty, astonishing variety, and imminent peril: the giant Komodo dragon of Indonesia, the helpless but loveable Kakapo of New Zealand, the blind river dolphins of China, the white rhinos of Zaire, the rare birds of Mauritius island in the Indian Ocean. Hilarious and poignant—as only Douglas Adams can be—Last Chance to See is an entertaining and arresting odyssey through the Earth’s magnificent wildlife galaxy.
Douglas Adams is, of course, most famous for his work on the Hitchhiker’s Guide to the Galaxy books, but if there was one piece not related to HHGTTG by DNA that I wish people would read, it would be this one.
Mr. Adams was deeply fascinated with the natural world, and this love for the world around him absolutely shines through in this book, wherein Mr. Adams records his experiences traveling the world, encountering various endangered species in their natural habitat. His wonderful observational skills, and more importantly, incredible talent for putting those observations on paper in his wry, witty way, allow him to truly draw the reader into his experiences, and to feel his awe and reverence for the things he, well, had a rare chance to see.
At once sad and hopeful, I think some of his best writing is done in this volume.
Mr. Adams has said he was most proud of this book. If you ask me, he was right to be.
Now, eight years later, I have to admit, this book still leaves me feeling incredibly bitter sweet.
On the one hand, the Kakapo has seen genuine success, with the Kakapo Recovery programme demonstrating the power of intense intervention to save endangered species. On the other hand, the Northern white rhinoceros is now completely extinct, having disappeared in the wild and died off in captivity.
I will forever be sad that Douglas Adams died as young as he did. However, I can’t help but wonder how he’d feel if he saw how little progress we’ve collectively made in honouring and protecting the world in which we live.
The story traces the life of David Copperfield from childhood to maturity. David is born in Blunderstone, Suffolk, near Great Yarmouth, Norfolk, England, in 1820, six months after the death of his father. David spends his early years with his mother and their housekeeper, Peggotty. When he is seven years old his mother marries Edward Murdstone. David is given good reason to dislike his stepfather and has similar feelings for Murdstone's sister Jane, who moves into the house soon afterwards. Murdstone attempts to thrash David for falling behind in his studies. David bites him and soon afterwards is sent away to a boarding school, Salem House, with a ruthless headmaster, Mr. Creakle. There he befriends James Steerforth and Tommy Traddles.
Well, after at least of month of effort, I finally finished David Copperfield (just in time, too, given the start of cycling season, which has put a rather sizeable dent in my available reading time), and I must say, it’s one of the best books I’ve read in a long long time. Of course, this probably shouldn’t be surprising, Dickens being considered one of the greatest English language authors… ever, really. But, given my general aversion to “classics” (despite my constant effort to read them), the language often being difficult to digest, and the comprehension of the subject matter often reliant on knowledge about the period the work was written in, I was skeptical. Victorian period pieces? How enjoyable a read could that possibly be?
Turns out, very enjoyable! Dickens is considered a great master of characterization, and I never really understood what that meant until I read this book. Unlike most books, where my drive to read is fueled by a desire to find out “what happens next”, aided by little breadcrumbs the author sprinkles along the way, when reading David Copperfield, I found it was the characters I cared about. Would Mr. Micawber ever sort out his financial woes? Would Uriah Heep’s hold on Mr. Wickfield be loosed, and would he get his comeuppance? Would Traddles finally get married? Would Mr. Dick finally exorcise King Charles I from his mind? It really was a unique reading experience, sad and serious at times, uproariously funny at others (every time I read the closing on one of Mr. Micawber’s letters, I quite literally laughed out loud).
So, if you can handle a slightly more challenging read (the language isn’t difficult, just different in style), I’d suggest checking out David Copperfield. Meanwhile, I can now dig into Nicholas Nickleby… expect another review in, say, three months time.